The Good, the Bad, and the Ugly: three different approaches to break their watermarking system

Simple item page
dc.creatorGuelvouit, Gaëtan Le
dc.creatorFuron, Teddy
dc.creatorCayre, François
dc.date2008-11-28
dc.date.accessioned2026-07-07T12:06:21Z
dc.date.available2026-07-07T12:06:21Z
dc.descriptionThe Good is Blondie, a wandering gunman with a strong personal sense of honor. The Bad is Angel Eyes, a sadistic hitman who always hits his mark. The Ugly is Tuco, a Mexican bandit who's always only looking out for himself. Against the backdrop of the BOWS contest, they search for a watermark in gold buried in three images. Each knows only a portion of the gold's exact location, so for the moment they're dependent on each other. However, none are particularly inclined to share...
dc.description8 pages, 8 figures
dc.identifierhttps://arxiv.org/abs/0811.4681
dc.identifierhttp://arxiv.org/abs/0811.4681
dc.identifierProc. IS&T/SPIE Electronic Imaging, vol. 6505, San Jose, CA, Jan. 2007
dc.identifierdoi:10.1117/12.703968
dc.identifier.urihttp://salesiana.dossiersoluciones.com/handle/123456789/208627
dc.subjectGraphics
dc.subjectMultimedia
dc.titleThe Good, the Bad, and the Ugly: three different approaches to break their watermarking system
dc.typetext

Files

Collections

arXiv